Paul Klemann, De Rotonde, 2019
Zaida Oenema, Weaving #1, 2022
Arja Hop & Peter Svenson, Mannheim plant colour research, 2022
Sjoerd Knibbeler, Exploded views, 2020
Martijn in ’t Veld, Shoe Flowers, 2020
Silvia Martes, The Revolutions That Did (Not) Happen, film still, 2021
Pii Daenen, Beekeepers dinner, 2018
Matea Bakula, A letter from a free man, 2020
Sophie Lee, ZIWZIH-ZIWZIH-OO-OO-OO, 5 Channel video installation, 2020
Oussama Diab, untitled, 2019
Paul Segers, Future Artifacts- The Perfect Crime, 2019
Kristel van Ballaer & George Meertens, Naked Existence, 2021
Keetje Mans, Croco shieldmaiden, pencil on paper, 42x30cm, 2021
Jonas Staal, Court for Intergenerational Climate Crimes (CICC), 2021
Jan Rothuizen, Souvenir, 2020
Gam Bodenhausen, Slide of Land, 2019, 150 x 245 cm, graphite on paper
Floris Schönfeld, Installation view of PUK* Breakdown at the Beautiful Distress House Amsterdam, 2020/21
Dick Tuinder, 'De Nietskubus' uit Alles Lijkt Op Iets Anders, 2021
Dirk van Lieshout, The Soil of Moengo, 2021, installatie, keramiek en hout
Ehsan Ul Haq, Two fish problem, 2020, Inkjet print on Photo Rag, 60 x 40 cm
Erik van der Weijde, This is not my Book, (publicatie), 2017
Erik-Jan van der Schuur, JEANNE D’ARC, 2022. Oil, acrylic, acrylic spray paint, glass, styrofoam, foamboard, iron wire, paper, hologram foil, beeswax, seashell on canvas, 60 x 92 cm
Esper Postma, Salome, 2019, installation view, Westfälischer Kunstverein, Münster, DE. Foto: Hanna Neander
Christiaan Bastiaans, Specimens Slide, 2013, film still
Binnenkant van Stephan Keppels 'Soft Copy Hard Copy', uitgegeven door Fw:Books, 2021. Foto: Hans Gremmen
Bastienne Kramer, FAMILY CONSTELLATION, 2019
Barbara Polderman, Waker / Slaper / Dromer (2), 2019-20
Arnout Killian, Broken Screen (1), 150-200 cm,2020, oil on canvas
Arjan Janssen, Absent, 2022, 150 x 120 cm, oil on canvas
Antonietta Peeters, acrylics on linen, 2019, stitched cut-out, 120 x 130 cm
Arian de Vette, Untitled, 2021. Steel, vinyl, synthetic hair 200 cm x width variable x depth variable. Foto: Kilian Blees
Abraham van Hanegem, untitled, 2018