Clare Molloy works as a curator and is interested in sculpture, poetry, the critical potential of art’s liveness and performance practices in their many guises. In 2018 she joined the Gropius Bau as a Curatorial Fellow.
Read an interview with Clare Molloy here (in Dutch).
At the Gropius Bau she has worked on the exhibitions Covered in Time and History: The Films of Ana Mendieta, Lee Bul: Crash, and the group show And Berlin Will Always Need You, as well as the In House: Artist in Residence programme, which began with Wu Tsang and continues this year with Otobong Nkanga.
This year her independent projects include Stefanie Kägi and Selina Reiterer, soft skills / solid solutions at Kunstraum Engländerbau, Vaduz and the forthcoming new commission by Peter Cant and Krzysztof Honowski, And Now The Screen Is Struck By Lightning at TROPEZ, Berlin.
Previously she was the 2015 KADIST Curatorial Fellow and created three projects with Otobong Nkanga during that year: she worked on the exhibition Crumbling Through Powdery Air at Portikus, Frankfurt; curated Comot Your Eyes Make I Borrow You Mine at KADIST, Paris; and was a Research Curator for Diaoptasia at Tate Live Performance Room. Subsequently she co-edited the first monograph on Nkanga’s work, Luster and Lucre, published by Sternberg Press, 2017. Clare holds a BA in English Literature from Durham University and an MA in Curatorial Studies from the Städelschule and Goethe University in Frankfurt.